
The Comisar Collection Curators of Popular Culture
PR: Jeff Abraham - (310) 866-1825
PR: Jeff Abraham - (310) 866-1825
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DALLAS (AP) — When Johnny Carson retired from “The Tonight Show” after 30 years, one man was determined to make the iconic set part of his burgeoning collection of television memorabilia. “I would love to say that I convinced him that I was the best guy for the job, but really, if I’m being honest, I had to convince him to save the set at all,” James Comisar said. “He told me he had the tackiest set in Hollywood and who would ever want to see it?” That set is among a dizzying number of items from Comisar’s collection of props, sets and costumes from beloved television shows that will be sold in early June by Dallas-based Heritage Auctions — from the bar where Sam Malone greeted customers on “Cheers” to the pink confection Barbara Eden wore in “I Dream of Jeannie” to the set from Archie and Edith Bunker’s timeworn living room from “All in the Family.”
Other items on the block when online bidding starts Monday are a tunic worn by Superman in the 1950s TV series, barware from “Mad Men,” tools used to cook meth on “Breaking Bad,” costumes from “Star Trek,” and costumes and props from the 1960s TV series “Batman.” The auction, which features about 1,000 lots, wraps up with live bidding from June 2 to 4 in Dallas.Comisar — who has been tracking down and preserving television memorabilia since 1989 — had dreamed of creating a museum to house his collection, but when that failed to come together, he decided it was time the items leave the temperature-controlled warehouses where he’s been caring for them. “I just decided these pieces should go back to the fans and let them enjoy them and then when that good day comes when a TV museum is effectuated, these pieces will be well cared for in the hands of passionate fans and collectors,” said Comisar, 58.
Comisar, who grew up in Los Angeles, said that after school each day he “grabbed my Pop-Tarts and I sat down in front of the TV set” to watch characters who “felt almost like after-school friends.”
After graduating from high school, Comisar became a comedy writer and began spending time on studio lots, where he realized that items from the TV shows he loved were languishing, with no system in place to save or archive them. He said that when shows went off the air, props would be sold or thrown away, or end up back in the costume department for rent.He said the bar from “Cheers,” complete with the names of the show’s stars carved into it, was in studio storage with a dead skunk in it when he acquired it.
The collection that Comisar has curated includes so many different shows that there’s something there to appeal to everyone, said Joshua Benesh, Heritage’s chief strategy officer. The collection, he said, also stands out for the way Comisar put it together. “James was out there in the field, in the wild, piecing properties together and discovering things that didn’t have value at the time,” he said.
Benesh said though that in recent years, the entertainment memorabilia market “has come alive.”
“We now understand just how rare some of these things are and how fundamental to our collective popular culture they are,” Benesh said. “These characters are iconic. They’ve become part of the fabric of who we are.”as strong as its executive leadership. This is a good place to show off who’s occupying the corner offices. Write a nice bio about each executive that includes what they do, how long they’ve been at it, and what got them to where they are.
For his essential role in advancing the preservation of television history, artifacts from the career and collection of curator
JAMES G. COMISAR
Are now part of the permanent entertainment collections of the
SMITHSONIAN’S NATIONAL MUSEUM OF AMERICAN HISTORY
Collection assets are as varied as Ralph Kramden’s bus driver jacket from The Honeymooners, Ricky Ricardo’s tuxedo from I Love Lucy, Captain Kirk’s uniform from Star Trek, Maxwell Smart’s shoe phone from Get Smart, Archie and Edith Bunker’s living room chairs from All In the Family, and Johnny Carson’s complete set from The Tonight Show to the vomit bucket from Fear Factor, Donald Trump’s boardroom from The Celebrity Apprentice, Simon Cowell’s judges desk from American Idol, and a section of the downed plane from Lost. James Comisar is the President of the Comisar Collection and The Museum of Television, the world's largest television memorabilia archive.
The Comisar Collection, Inc. is the most comprehensive archive of original television costumes, props, sets, and related ephemera extant. Since its inception in 1989, the collection’s mission has been to conserve and celebrate television’s tangible history, and its artifacts span the history of television from the first flickering moments of the broadcast medium to what was on TV last night.
James Comisar & Gilbert Gottfried enjoyed a shared love of Hollywood history. We post two interviews as a tribute to Gil's curiosity, passion & indelible comedy. He will be missed by millions:
Publicist: Jeff Abraham (310) 866-1825 Jefry@roadrunner.com
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DALLAS (AP) — A dizzying number of items from Comisar’s collection of props, sets and costumes from beloved television shows that will be sold in early June by Dallas-based Heritage Auctions — from the bar where Sam Malone greeted customers on “Cheers” to the pink confection Barbara Eden wore in “I Dream of Jeannie” to the set from Archie and Edith Bunker’s timeworn living room from “All in the Family.” The auction, which features about 1,000 lots, wraps up with live bidding from June 2 to 4 in Dallas.